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Óscar Aquino Ipanaqué is a renowned sculptor and artisan from Catacaos, Piura, whose work represents the cultural identity of the Tallán people and the artistic traditions of the region. His sculptures stand out for their woodcarving techniques and for portraying traditional, religious, and social scenes that are characteristic of Piuran culture.
Through his artistic work, Aquino preserves the cultural roots of Catacaos by transmitting ancestral knowledge and strengthening the value of Peruvian folk art. His works have been exhibited both nationally and internationally, making him an important representative of traditional Peruvian sculpture.
His artistic production combines creativity, cultural memory, and symbolic representations of everyday life in northern Peru, especially within the Tallán and Cataquense communities.
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05-21-2026
| Institutional and human capacities | The work demonstrates remarkable artistic and human values by keeping the sculptural tradition of Catacaos alive. It promotes cultural identity, respect for local customs, and appreciation for Peru’s artisanal heritage. Furthermore, this artistic career reflects a strong commitment to passing artistic knowledge on to new generations, contributing to the cultural development and preservation of the community.,The work demonstrates remarkable artistic and human values by keeping the sculptural tradition of Catacaos alive. It promotes cultural identity, respect for local customs, and appreciation for Peru’s artisanal heritage. | |
| Transmission and education | The sculptor contributes to the teaching and promotion of traditional art through artisanal practice and the preservation of woodcarving techniques. His work serves as an educational medium that allows people to understand the history, beliefs, and customs of Catacaos. In addition, together with his son, José Aquino Flores, he participates in the preservation of this artistic tradition through workshops and free community projects for young people, encouraging new generations to value and continue the cultural and artistic heritage of Catacaos.The sculptor contributes to the teaching and promotion of traditional art through artisanal practice and the preservation of woodcarving techniques. His work serves as an educational medium that allows people to understand the history, beliefs, and customs of Catacaos. | |
| Inventorying and research | The artistic production is part of the cultural heritage of Catacaos. The sculptures represent historical and cultural elements of northern Peru, making them important for the research of folk art, regional identity, and the continuity of artisanal traditions.,The artistic production is part of the cultural heritage of Catacaos. The sculptures represent historical and cultural elements of northern Peru, making them important for the research of folk art, regional identity, and the continuity of artisanal traditions. | |
| Policies as well as legal and administrative measures | The preservation of the sculptural work contributes to the protection of the intangible cultural heritage of Catacaos and Piura. Cultural and municipal institutions promote the recognition of traditional art through activities, exhibitions, and artisan appreciation programs that strengthen the cultural identity of the region. eso es de las politicas? | |
| Role of intangible cultural heritage and its safeguarding in society | Traditional sculpture in Catacaos represents an important expression of intangible cultural heritage because it preserves knowledge, techniques, and symbols passed down from generation to generation. Óscar Aquino’s work helps keep the Tallán traditions alive and strengthens the sense of cultural identity and belonging within society.,Traditional sculpture in Catacaos represents an important expression of intangible cultural heritage because it preserves knowledge, techniques, and symbols passed down from generation to generation. Óscar Aquino’s work helps keep the Tallán traditions alive and strengthens the sense of cultural identity and belonging within society. | |
| Awareness raising | The artistic work raises awareness about the importance of preserving cultural traditions and Peruvian folk art. The sculptures help people appreciate the history, customs, and cultural identity of Catacaos, especially among younger generations. | |
| Engagement of communities, groups and individuals as well as other stakeholders | In addition to his work as a sculptor, he developed an important educational role as a teacher for more than thirty years, transmitting artistic knowledge and promoting the value of Tallán cultural identity to new generations. His participation in national events such as the Ruraq Maki fair and the “Peruanos que Suman” recognition helped give visibility to the work of Catacaos artisans and strengthened the community’s sense of cultural identity and belonging.,In addition to his work as a sculptor, he developed an important educational role as a teacher for more than thirty years, transmitting artistic knowledge and promoting the value of Tallán cultural identity to new generations. His participation in national events such as the Ruraq Maki fair and the “Peruanos que Suman” recognition helped give visibility to the work of Catacaos artisans and strengthened the community’s sense of cultural identity and belonging. | |
| International engagement | In addition, various media sources highlight that the pieces are part of exhibitions and collections in Europe and other countries around the world, where the sculptural style reflects the faith, customs, and cultural identity of the people of Catacaos.,The work has achieved international recognition through exhibitions and artistic showcases held in various countries. The sculptures have been presented in Japan, the United States, France, Italy, and Spain, bringing the cultural representation of Catacaos and the Tallán tradition to an international audience. | |
| References |
Social media: https://www.facebook.com/oscar.aquinoipanaque https://oaquinoipanaque.wixsite.com/oscaraquinoipanaque |
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Attached File(1)
1. vitae oscar aquino ipanaque .pdf
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